| DRAM30990 |
Dissertation |
C20 |
3 |
| DRAM31011 |
Screen Study Option |
C20 |
3 |
| DRAM30092 |
Performance and War |
C20 |
3 |
| DRAM31042 |
Falstaff and Gandalf go to the Movies |
C20 |
3 |
|
A maximum of 20 credits of AMER course can be taken |
|
|
| AMER30061 |
Projecting Fantasy |
C20 |
3 |
| AMER30462 |
Film and Politics in America |
C20 |
3 |
|
Further credits can be taken from here |
|
|
| AHVS30191 |
The Social Eye: Documentary and Anti-Documentary in Photography |
C20 |
3 |
| AHVS30282 |
Visualising Greek Mythology |
|
|
| SOCY30881 |
Culture, Modernity and Media |
C20 |
3 |
| SOCY30412 |
Conversation Analysis |
C20 |
3 |
| SOAN30791 |
Screening Culture |
C20 |
3 |
| SOAN30811 |
Visual Culture and Media I |
C20 |
3 |
| SOAN30042 |
Objects of Analysis |
C20 |
3 |
| SOAN30052 |
An Anthropology of Science, Magic and Expertise |
C20 |
3 |
| FREN30102 |
Aspects of the French Nouvelle Vague: Nouvelle Vague |
C10 |
3 |
| RUSS30320 |
SOVIET CINEMA AND SOCIETY |
C20 |
3 |
| HSTM31212/31712 |
The Nuclear Age: From Hiroshima to Nuclear Terrorism |
C10/20 |
3 |
| HSTM20301/20801 |
From Frankenstein to the Matrix: Science Fiction and Film |
C10/20 |
2/3 |
| HSTM32012/32512 |
FROM BAKER STREET TO CSI: HISTORY OF FORENSIC MEDICINE |
C10/20 |
3 |
