Florrie Badley, 'Painting in the Age of Print: Radical Materiality in Transmission'
Celina Berill Félix, 'Picturing Female Spirituality. Representations of Four Central European Holy Women' Between the Thirteenth and Fifteenth Centuries'
Bhanushali Gahlot, 'Dissonant Histories in South Asia's Museums: Memory, Religion and Politics in the '1947 Partition Memorialisation Project' in India'
Kylie Gilchrist, 'Structures of Transformation: the Politics of Artistic Form in the Work of Rasheed Araeen, 1952–1978'
Janelle Hixon, 'Looking Homeward: Structures of Longing in Contemporary Video Art'
Tenzin Jinpa, 'Decolonizing Museum Data: Empowering Tibetan Perspectives at World Museum, Liverpool'
Ruth Monks, 'Creative Resistance: The Role of Queer Grassroots Arts and Care in Transforming Policymaking'
Nicola Naismith, 'A complex picture: What are the ‘unwitnessed labour’ experiences of social art practitioners?'
Murray Rosen, 'Play and Identity in Surrealism during WWII: Triple V and the "myth in process of formation beneath the veil of happenings’
Xiying Wang, 'Dante's vision and the visualisation of nudity in Italian art c.1300-1450'
Zhiya Wang, 'Between Utopianism and Reality: Institutionalised Critiques in the Art of Thomas Hirschhorn, Erwin Wurm and Agnès Varda'
Niels Weijenberg, 'Divine writing: Visualising the first language in the early modern Low Countries'
Gregory Williams, 'Drawing From Experience: Experimental Graphic Practice in the Light of the Surrealist Image'
2022, Jadranka Ryle, 'Modern Woman: Hilma af Klint and the Emergence of Abstraction'.
2020, Eiman Alrashaidi, ‘The veil as a tool of expression in the work of Arab women artists’.
2018, Suzanne Mangion, ‘Marvellous noise and modest recording instruments: Dada, Surrealism, and early sound cinema’.
2018, Rosalina Quintieri, ‘Dolls after the avant-garde: Lacanian psychoanalysis and the end of the uncanny’.
2018, Rebecca Hurst, ‘The Iron Bridge and Digging deep: the enchanted underground in Pavel Bazhov's 1939 collection of magic tales, The Malachite Casket’.
2017, Nicola Astidullo-Jones, ‘Consuming Latin America: the ¡Viva! Film Festival and imagined cosmopolitan communities’.
2017, Neil Macdonald, ‘Wound Cultures: explorations of embodiment in visual culture in the age of HIV/AIDS’.
2017, Luke Healey, ‘The Art of Football: Visual Culture and the Beautiful Game, 1992-2016’.
2016, Naomi Billingsley, ‘The Visual Christology of William Blake’.
2016, Hee Jung Lee, ‘Exploring Visual Modernity and National Identity in Twentieth-Century China: Fu Baoshi's Self-awareness and Critical Response during the Sino-Japanese War (1937-1945)’.
2016, Camilla Rostvik, ‘At the Edge of their Universe: Artists, Scientists and Outsiders at CERN’.
2016, Alison Criddle, ‘Madeleine time: Alfred Hitchcock’s “Vertigo” (1958), Percy Adlon’s “Céleste” (1980), and Chantal Akerman’s “La Captive” (2000)’.
2015, Meriel Boyd, ‘In Their Own Image? Church-Building in the Deanery of Manchester 1847-1903: Relationships between Donor, Architect and Churchmanship’.
2015, Giovanni Raneri, ‘Folding Screens, Cartography, and the Jesuit Mission in Japan, 1580-1614’.
2014, Carol Huston, ‘Edoardo Paolozzi and JG Ballard: Representing New British Modernities, c. 1966-1980’.
2014, Beatrice Mezzogori, ‘Splendour Displayed: State barges, embroideries and power in Renaissance Ferrara’.
2014, Andrew Hardman, ‘Studio habits: Francis Bacon, Lee Krasner, Jackson Pollock, and Agnes Martin’.
2014, Darin Stine, ‘Michelangelo and San Lorenzo: A Case-Study of Building Practices for Renaissance Church Facades’.
2014, Malcolm Speakman, ‘Shell’s England: Corporate patronage and English art in the Shell poster of the 1930s’.
2013, Pamela Walker, ‘Fashioning Death: The choice and representation of female clothing on English Medieval Funeral Monuments, 1250-1450'.
2009, Sophie Everest, ‘“Under the skin”: the biography of a Manchester mandrill’.
2009, Anna Piperato, ‘Saint Catherine of Siena in three Italian life cycles: 1567-1600’.
2007, Anne Kirkham, ‘Medieval Art Writing and the Study of Art History’.
