Resounding Manchester
Our research into Manchester’s multiple musical histories, communities and scenes offers a counterbalance to the dominant narrative about the city’s musical legacy as a hotbed of post-industrial punk and Britpop.
Looking and listening beyond the Haçienda Club, Factory Records, and bands like the Happy Mondays and Stone Roses that put Madchester on the map, we are especially concerned with the hidden and emerging histories that more faithfully reflect the city’s multicultural past and the musical contributions of its diverse communities in the 21st century.
As the world’s first industrial city, and now a city of sanctuary, Manchester is a supreme example of an urban space shaped by migration, colonial and postcolonial entanglements, and ever-expanding diasporic networks.
Manchester today is a thriving cosmopolitan city whose residents speak up to 200 different languages. As such, it offers an ideal vantage point from which to analyse the interplay between local and global musical identities and trajectories, and to advance a genuinely comparative study of music that addresses the global dimensions of past, present and future.
Through our research we seek to uncover, understand and analyse:
- The role of key cultural institutions and live music venues in contributing to the socio- economic growth, regeneration and transformation of the city.
- The artistic contribution of Manchester’s diverse populations to the city’s cultural and social life, both past and present.
- The ways in which musical, social and spatial realms intersect as part of the urban ecosystem.
Preliminary projects developed in collaboration with professional and community partners include:
- ‘Hidden Histories and Herstories in Black British Music’ – with the British Pop Archive, Creative Manchester and Simon Industrial Fellow Karen Gabay (mentor Roddy Hawkins)
- Archiving, Curating, Re-framing: Black British Music and/as Popular Culture’, featuring Mykaell Riley and Linda Brogan in conversation with David Olusoga (curator Roddy Hawkins)
- ‘Reflecting on the Club Berlin Exhibition and its Archival, Institutional and Historiographical implications’ – Roddy Hawkins (chair) with speakers Aniff Akinola, Mat Bancroft, Karen Gabay, Alexander Gagatsis and Paul Martin
- ‘Navarro Dreams’ – composition and performance project with Simon Industrial and Professional Fellow Carlos Maldonado (composer) and Alexander Gagatsis (producer)
- ‘Musical Lives’ – a participatory project exploring music and memory with members of South Asian communities in Greater Manchester, in collaboration with Crescent Radio (Chloë Alaghband-Zadeh)
- ‘Heritage Beyond Borders: The Place of Band on the Wall in the Musical History and Socio- Cultural Life of Manchester’ – ESRC CASE studentship with Band on the Wall: PhD student Xia Wang (main supervisor Caroline Bithell)
- ‘Putting the Orchestra in its Place: Partnership, Community and the Dynamics of Collaboration at Manchester Camerata’s New Home’ in Gorton’ – AHRC CDA studentship with Manchester Camerata: PhD student Rebecca Parnell (main supervisor Roddy Hawkins)
- ‘Tuning into Opera’ – with English National Opera, Creative Manchester and research associate Kamila Rymajdo (supervisor Caroline Bithell)
- Archiving, curating, reframing: Black British Music and/as Popular Culture (British Pop Archive)
- Being Human Festival 2025: Carlos Maldonado & the Oxford Road Experiment
- The Oxford Road Experiment: Latin Grooves, Global Moves and Navarro Dreams
- Amid the Mirk Over the Irk: When Irish Meets Klezmer (Overture)
- Karen Gabay meets PP Arnold (You Ought To Know episode 2)
- Caroline Bithell (Professor of Ethnomusicology): Hidden music histories; music in the community; multicultural music-making in Manchester; the politics and aesthetics of ‘world music’; curating live music programmes; opera futures.
- Roddy Hawkins (Lecturer in Contemporary Music Cultures): Music historiography; critical discourse; creative labour; music infrastructures; listening cultures; immersive aesthetics, experience and attention; the politics of archives and exhibition.
- Alexander Gagatsis (Senior Lecturer in Jazz Studies): Jazz diasporas; jazz and cultural geography; improvisation; intercultural composition and performance; British jazz; jazz historiography and criticism.
- Chloe Alaghband-Zadeh (Lecturer in Ethnomusicology): Music in the South Asian diaspora; music and memory in British Asian communities; music and the postcolonial imagination; collaborative ethnography.
- Ryan Humphrey (Lecturer in Arts Management and Cultural Policy): Community music; arts management; cultural policy; cultural leadership; creative and cultural placemaking.
- Richard Fay (Reader in Education): World music ensembles; music and intercultural education in post-conflict contexts; klezmer, Balkan and Irish music in Manchester.
- Karen Gabay (broadcaster, TV producer, radio and podcast host, filmmaker and curator): Cultural heritage of the Northwest; nostalgia, memory and pop culture; women in music; film and oral histories.
- Xia Wang (doctoral student in ethnomusicology): Music heritage and historiography; music venues and urban cultural life in Manchester; scenes and communities.
